We have our Blackmagic URSA Mini at 4.6K, we’re at 23.98 fps, our resolution is 4.6K RAW Lossless, our lens is a Xeen 50mm, our camera color temperature is 5600 Kelvin, and our sun color temperature is also 5600 Kelvin. ![]() When working with day exteriors, you can really see the noise in all the illuminated spaces, and while you’re dealing with night ISO testing, you’re able to crush that down and make the noise go away. I do this in the beginning of the day and I want to find out where that noise is. And where I start all of my tests is day ISO noise. We are going to find this camera’s soul and take it to its breaking point. ![]() We will also discuss how you can get the best out of your camera’s sensor during both day and night shoots, along with the accessories it will take to achieve a clean, professional image. My colorist and DIT, Derek Johnson, will take you through our process, explain short cuts, and starting points that will put you on the right track. We’ll also find out what the URSA Mini’s native ISO is.Īlso, if you’re not already a member, and take your film career to the next level, join Shane’s Inner Circle today!Ĭoming up, Parts 4-9 will each cover advanced techniques in color grading with these color spaces-which can be difficult to master. Today, we’ll see how much ISO noise this camera generates at different ISOs in a Day Exterior environment using natural light. So far, we have covered underexposure and overexposure of skin tones in a tungsten light interior environment. ![]() Welcome to PART 3 of 9 of our Blackmagic URSA Mini 4.6K Film Test series.
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